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dc.contributor.authorParadiso, Joseph A
dc.contributor.authorZoran, Amit
dc.date.accessioned2012-09-27T13:13:30Z
dc.date.available2012-09-27T13:13:30Z
dc.date.issued2011-03
dc.identifier.issn0929-8215
dc.identifier.issn1744-5027
dc.identifier.urihttp://hdl.handle.net/1721.1/73201
dc.description.abstractEach acoustic instrument is one of a kind. Its unique acoustic properties are transferred from the physical characteristics of its source materials and a handcrafted touch. In contrast, electronic and computer-based instruments lack this distinguishing trait. Though the technology support in musical instruments offers great flexibility, it tends to foster predictable and generic results, particularly with common use of easily-cloned digital presets. This paper presents a new approach to the design and fabrication of instruments that combine the advantage of acoustic and electric instruments—hybrid instruments—that exist simultaneously in both physical and digital environments. This approach exploits physical/acoustic properties via a replaceable physical object complemented by a simulated shape or other digital signal manipulation. The key concepts of this approach are presented through an example: The Chameleon Guitar, detailed in this paper along with evaluation from musicians and instrument makers. This work aims to demonstrate the possibility of maintaining the qualities found in real acoustic instruments, such as unique spectral and spatial behaviour of wooden soundboards, with the flexibility of digital processing.en_US
dc.language.isoen_US
dc.publisherInforma UK (Taylor & Francis)en_US
dc.relation.isversionofhttp://dx.doi.org/10.1080/09298215.2011.554609en_US
dc.rightsCreative Commons Attribution-Noncommercial-Share Alike 3.0en_US
dc.rights.urihttp://creativecommons.org/licenses/by-nc-sa/3.0/en_US
dc.sourceParadiso via Patsy Baudoinen_US
dc.titleThe Chameleon Guitar—Guitar with a Replaceable Resonatoren_US
dc.typeArticleen_US
dc.identifier.citationZoran, Amit, and Joseph A. Paradiso. “The Chameleon Guitar—Guitar with a Replaceable Resonator.” Journal of New Music Research 40.1 (2011): 59–74.en_US
dc.contributor.departmentProgram in Media Arts and Sciences (Massachusetts Institute of Technology)en_US
dc.contributor.approverParadiso, Joseph A.
dc.contributor.mitauthorParadiso, Joseph A.
dc.contributor.mitauthorZoran, Amit Shlomo
dc.relation.journalJournal of New Music Researchen_US
dc.eprint.versionAuthor's final manuscripten_US
dc.type.urihttp://purl.org/eprint/type/JournalArticleen_US
eprint.statushttp://purl.org/eprint/status/PeerRevieweden_US
dspace.orderedauthorsZoran, Amit; Paradiso, Joseph A.en
dc.identifier.orcidhttps://orcid.org/0000-0002-0719-7104
dc.identifier.orcidhttps://orcid.org/0000-0002-8791-4213
mit.licenseOPEN_ACCESS_POLICYen_US
mit.metadata.statusComplete


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