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dc.contributor.authorBrinkema, Eugenie Alexandra
dc.date.accessioned2013-03-21T16:19:22Z
dc.date.available2013-03-21T16:19:22Z
dc.date.issued2011-01
dc.identifier.issn1938-1700
dc.identifier.urihttp://hdl.handle.net/1721.1/77967
dc.description.abstractThe roof, the roof, the roof is on fire. The roof, the roof, the roof is on fire. The roof, the roof, the roof is on fire. We don’t need no water let the motherfucker burn. Burn, motherfucker, burn. —Bloodhound Gang, “Fire Water Burn,” by way of Rock Master Scott & the Dynamic Three1 “Now one can understand Kandinsky’s famous question: if the object is destroyed, what should replace it?” —Michel Henry, Seeing the Invisible2 Burn, motherfucker, burn The problem, as Émile Cioran insists, is that “La mort est trop exacte; toutes les raisons se trouvent de son côté.”3 It has the all of certainty on its side. If the object is destroyed The idealism of sustainability discourses—sustained by notions of futurity, preservation, duration, continuation, endurance, but also production and productivity over time, healthy diversity, maintenance, memory, but also imaginary projection, an ethic toward built and natural environments, therefore mutuality between generations, therefore compromise—each attempting to stave off future disaster (or the future as disaster), the finitude of the species, the finitude of the planet—involves an avowal of futurity, a temporal promise, a common interest, an ideological drive, and anxiety about seeping forms of waste, insufficiency, inefficiency, indolent responses to crisis, suppuration, the untenable, the intolerable, disrepair, dissolution, decomposition—tracking all possible paths of foundational destruction, every thinker a wary termitologist.en_US
dc.language.isoen_US
dc.publisherB. Priceen_US
dc.relation.isversionofhttp://www.worldpicturejournal.com/WP_5/Brinkema.htmlen_US
dc.rightsArticle is made available in accordance with the publisher's policy and may be subject to US copyright law. Please refer to the publisher's site for terms of use.en_US
dc.sourceBrinkema via Mark Szarkoen_US
dc.titleBurn. Object. If.en_US
dc.typeArticleen_US
dc.identifier.citationBrinkema, Eugenie. "Burn. Object. If." World Picture 5:spring (2011). © World Picture 2011.en_US
dc.contributor.departmentMassachusetts Institute of Technology. Department of Humanities. Literature Sectionen_US
dc.contributor.approverBrinkema, Eugenie Alexandra
dc.contributor.mitauthorBrinkema, Eugenie Alexandra
dc.relation.journalWorld Pictureen_US
dc.eprint.versionFinal published versionen_US
dc.type.urihttp://purl.org/eprint/type/JournalArticleen_US
eprint.statushttp://purl.org/eprint/status/PeerRevieweden_US
dspace.orderedauthorsBrinkema, Eugenieen_US
dc.identifier.orcidhttps://orcid.org/0000-0001-6631-2865
mit.licensePUBLISHER_POLICYen_US
mit.metadata.statusComplete


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