Show simple item record

dc.contributor.authorZuk, Jennifer
dc.contributor.authorOzernov-Palchik, Ola
dc.contributor.authorKim, Heesoo
dc.contributor.authorLakshminarayanan, Kala
dc.contributor.authorGabrieli, John D. E.
dc.contributor.authorTallal, Paula
dc.contributor.authorGaab, Nadine
dc.date.accessioned2014-04-03T19:27:54Z
dc.date.available2014-04-03T19:27:54Z
dc.date.issued2013-12
dc.date.submitted2013-08
dc.identifier.issn1932-6203
dc.identifier.urihttp://hdl.handle.net/1721.1/86007
dc.description.abstractSpeech processing inherently relies on the perception of specific, rapidly changing spectral and temporal acoustic features. Advanced acoustic perception is also integral to musical expertise, and accordingly several studies have demonstrated a significant relationship between musical training and superior processing of various aspects of speech. Speech and music appear to overlap in spectral and temporal features; however, it remains unclear which of these acoustic features, crucial for speech processing, are most closely associated with musical training. The present study examined the perceptual acuity of musicians to the acoustic components of speech necessary for intra-phonemic discrimination of synthetic syllables. We compared musicians and non-musicians on discrimination thresholds of three synthetic speech syllable continua that varied in their spectral and temporal discrimination demands, specifically voice onset time (VOT) and amplitude envelope cues in the temporal domain. Musicians demonstrated superior discrimination only for syllables that required resolution of temporal cues. Furthermore, performance on the temporal syllable continua positively correlated with the length and intensity of musical training. These findings support one potential mechanism by which musical training may selectively enhance speech perception, namely by reinforcing temporal acuity and/or perception of amplitude rise time, and implications for the translation of musical training to long-term linguistic abilities.en_US
dc.description.sponsorshipGrammy Foundationen_US
dc.description.sponsorshipWilliam F. Milton Funden_US
dc.language.isoen_US
dc.publisherPublic Library of Scienceen_US
dc.relation.isversionofhttp://dx.doi.org/10.1371/journal.pone.0080546en_US
dc.rightsCreative Commons Attributionen_US
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/en_US
dc.sourcePLoSen_US
dc.titleEnhanced Syllable Discrimination Thresholds in Musiciansen_US
dc.typeArticleen_US
dc.identifier.citationZuk, Jennifer, Ola Ozernov-Palchik, Heesoo Kim, Kala Lakshminarayanan, John D. E. Gabrieli, Paula Tallal, and Nadine Gaab. “Enhanced Syllable Discrimination Thresholds in Musicians.” Edited by Claude Alain. PLoS ONE 8, no. 12 (December 5, 2013): e80546.en_US
dc.contributor.departmentMassachusetts Institute of Technology. Department of Brain and Cognitive Sciencesen_US
dc.contributor.mitauthorGabrieli, John D. E.en_US
dc.relation.journalPLoS ONEen_US
dc.eprint.versionFinal published versionen_US
dc.type.urihttp://purl.org/eprint/type/JournalArticleen_US
eprint.statushttp://purl.org/eprint/status/PeerRevieweden_US
dspace.orderedauthorsZuk, Jennifer; Ozernov-Palchik, Ola; Kim, Heesoo; Lakshminarayanan, Kala; Gabrieli, John D. E.; Tallal, Paula; Gaab, Nadineen_US
dc.identifier.orcidhttps://orcid.org/0000-0003-1158-5692
mit.licensePUBLISHER_CCen_US
mit.metadata.statusComplete


Files in this item

Thumbnail

This item appears in the following Collection(s)

Show simple item record